note from editor:

"Keep walking though there's no place to get to. Don't try to see through the distances. That's not for human beings. Move within but don't move the way that fear makes you move." - Rumi

"bleed" by leila a. fortierIn three days

I will be leaving California to live in Las Vegas, and although I still haven't imagined what exactly I will be doing there, I know that as long as I continue to go forth naturally, I will always be moving and evolving to the secret drumming of my dreams. 

Phantom Kangaroo was one of those secret dreams. Haunting the corner of my mind for over a year, existing only as flickering images of mysterious paraphernalia, until I was finally ready to give it form. I made the decision to start this site not knowing what it would become, and over the last two months, I've been so lucky to have met a magical group of writers and artists that seem to have the same secret dreams as me, and because of that, this continued collaboration has made the distance between my dreams and real life grow smaller.

Claudia, December 2010

The Monster says:

by Ruby Darling

 

You piece of shit, you worthless whore. 

but you were prepubescent,
gravity hadn't swallowed your youth, 
you still thought about things 
like why grown-ups are lonely,
why they fight, 
why they do bad things to children, 
or why they do bad things, 

then your brain got consumed with perfection
and pleasing, and you wanted to please, 
like most people do 
who don't know what they stand for, 

and there was the monster 
seeping under your skin, 
when it was pale, 
the way Macedonia ticks do from Greece, 
or maybe just Northern California ticks do,
since thats all 
you really know, 

his venom spreads, 
corroding your sense of self, 
and you 
detach, 

You piece of shit, you worthless whore.


Soon your sunken eyes avoid mirrors, 
and all the disgust and dead 
and deceit are purged from your veins, 
you run, 

and you keep running until you feel 
euphoria > deceit > purity
and you forget the salty of sweat, 
how nice to hold his hand, 
the awkward wet of his palm, 
but you didn't let go, 
didn't ever want to let go

instead you starve, 
starve and believe you are no longer 

the memory is buried in your liver, 
but you stay focused on self-loathing, 
no more wasteful obsessions, 
like :-) or ;-) ?
or the melodrama of laughing out loud, 
so instead you think about things 
that aren't waste,
like why lovers give up their power, 

and then, maybe you give in, 

your brittle heartbeat > slower more, 
you taste death, 
the dryness of your mouth, 
the persimmon you once ate before it was ripe, 

IVs are stabbing your unwed veins, 
and it's nice to feel something, 
and your body is barely, 
and your mind is barely- 

maybe this is what hail feels like 
against a windshield, 
and it would be nice to snowboard again, 
without it breaking your bones,
but maybe breaking your bones would feel nice too, 

and you sink into your mother's last words:
you look like an alien, 
and you take it as a compliment,
and the monster pats you on the back, 
he owns you now, 

76 pounds of your flesh 
left for him to eat.

 

silent, we-

by David Tomaloff


underneath the city,
on top of the moon,
bruises ring the new
year’s song; a hymnal []

a battle plan : mace
and mesa“  eloquent
trees above sway to
songs of inebriated 

;                        soil-
mix,        locate, enounce,
change speed,   and playback-

chance lift, and bullet(!)  to the
music
           -we a/drift to”

9how silent is   :us
and     how silent
[en dash]       the moon.

Death of a Love Poem

by P.A.Levy


by autumn it was flat lining
red passion cells all pale and iambic
come winter it was stone cold dead
natural causes
its heart just stopped beating

we said prayers
with lowercase tears in our eyes
they rhymed as they rolled
down our cheeks
until they mingled with snivelling snot
then it became a mucus mess

now i’m haunted by a ghost-writer
a white page with two full stop eyes
giving it the scream of space
like the empty bed
or the room without you
trace smell of perfume 
and all the words that were never said

Ed Gein

by Mike Meraz


some of the sanest places
are the cities
take away the lights and cameras
the hustle and bustle
of the big town and all you have are
loneliness, fields and farmlands
the perfect place for murder.

 

 

*Previously published in Whisper & Scream Issue 1

Father, Again, Peering


The final years dear Mother she
was never, well, what actors call “on location.”
Physically, of course, we found her

everywhere: 
the parlor reading,
the kitchen ironing,

the basement sweeping,
unlike Father whom we never found
though he was always there. 

On Sundays when he went to Mass,
he’d stay behind, peering.
Like Queeg, he’d stare 

from under or behind
whatever he wasn't 
hiding in front of.

Lathe Sick


insomniac machinist
ninety pounds insubstantial
bodysnatcher zeal-
vertebral loner

soot tissue lung
ketonic exhalations
you deserve
a kool cigarette

washer gasket slip
sanguine hemorrhage
prune five to three
right dominant now left dependent

florid foreman fuck
scar shelled belly
duct tape triage
company dime bottom line

maimed machinist
diner ashtray life
knife out tongue
dearest cherry pie 
promptly acidulated.

The Worm

by Jim Bronyaur


It starts from within
the darkest thoughts
reality never felt so good

The space of time
not endless
the chime is the heartbeat 
hours come and go like breaths

It moves
It twists
It shifts

A calling from feet away
miles, maybe years

You hear a rattling
a wet noise 
thinner than blood
but deadly

Not at once
but within time
never an ever lasting moment
time eats it
can you feel it?
spinning in motionless heaven
pushing where it shouldn’t
a bulging you see 

The world feels
the pressure 
time holds like a vice

A moonlit walk
only reveals
how lonely we all are
how consumed we can become
how the worm can turn its head and bite
what does it look like to you
do you know its there
eating you
becoming you
taking all your time
all our time

Embrace not erase
the picture yells
give more than take
in your mind
silence
there is no blessing here
just the worm

Push.  Nibble.  Turn.  Bite.

The Last Alien Abduction

(Based on an Otto & George Joke)


They pulled me in like Al Pacino
in the bad Godfather movie, and
I felt the light and the heat engulf
me like a nuclear holocaust.
 
And then there was nothing,
unconsciousness or a stoppage
of time, but it was all blank.
I woke up and, sure, my ass
hurt, but we all expect that now.
 
A bunch of them pushed me off their
spacecraft like a houseguest who had
long overstayed his welcome, but I
grabbed a pen and a comment card
on the way out, both with the aliens’
address and phone number on them.
 
And I knew I had them.
This time I had them.

 

 

Ghostly Ka-nunnah

by Richard Peake


was an animal science fiction writers
might copy when seeking a nightmare beast
to create chills in movie goers
whose desire for scary films knows no bounds.

Do striped tiger ghosts stalk Van Diemen’s Land?
Do zebra wolves haunt Tasman nightmares?
Captive thylacines died in foreign hands.
Too late, ka-nunnah received protection.

Tasmanian tigers got a bum rap.
Thylacinus gynocephalus lurked
in Tasman outback to offer mishap
to the ranchers’ sheep that proved too tasty.

True, thylacines liked sheep, but took the blame
for feral dogs and wily bushrangers.
Called striped wolves, these predators’ native game
was kangaroos and wombats, not fat sheep.

It was a hunter, killer of mammals
whose sixteen dark vertical stripes revealed
wolf-like, ferocious beast chimerical.
Bounties on their heads, thylacines died out.

Or did they? They lurk in man’s memory.
Almost every year people claim they’ve seen
marsupial tiger shadows pass slyly,
ka-nunnahs sneaking through outback brush.


Asleep


The room was bathed in flowers
sobbing down stink and staining walls.
There you lay, sleeping. But void of that
innocent dreamlike smile.

Carelessly, you left candles burning.
I blew them harshly, hoping to wake you.
But you lay there, oblivious to
my trespass and interference.

Your constant slumber infuriated me.
I remember moving to strike you
and hitting a crucifix.
You weren't asleep at all.

Afterwards, returning home to remove 
Suits and masks, I met mother in
the kitchen. Angry that she lied.

Tarot Reading, 1/8/03

by Janann Dawkins


The land of milk and honey is all about you.
These rivers of food are angels
whose bodies have broken in their fall,
broken into bounty. Their disembodied wings
curve into shade trees, orchards shoring the bank.

You fear scorpions in your path, but in truth
the path is a woman, mild and white
like light. You are walking up her breasts.
Your feet are bare and true. Your toes
sink into her tresses.



I. Five of Staves
II. The Emperor
III. Four of Swords
IV. Eight of Cups
V. Three of Cups
VI. Temperance
VII. Queen of Cups
VIII. Page of Swords
IX. Three of Staves
X. King of Staves 

A quiet evening in the debriefing shed

by Jane Røken


Listen. I'm going to explain everything. They come in threes, like Souzhong tea, sloe gin, and belladonna. We've been subject to a slip of reason. They walk among us already. The malediction bureau is not to be trusted, the distant early warning tapeworms are no longer under our control, and a fair number of surveillance subs have transmogrified into turnip lanterns. Just because we cannot see them, it doesn't mean they're not there. And we've had reports of inexplicable disappearances: riverboats that sail off into nothingness, travellers who vanish while crossing a field. What you see depends on what you think you're seeing. Take for instance the ballroom upstairs. It's the kind of place where things go out of hand after midnight. This is going to be a filthy job, at odds with the drip and drone of humanity, demoralized until the crack of doom. Even in our sleep we emit radio signals. There'll be no patience for evolutionary chaos down the line. We must imagine the things we cannot see. Emeralds, lemons, and blood everywhere. We all have our own secrets to keep.

 

 

the chariot (the victor)

roma

by Nic Alea


i.
 
i’d tattoo, solar plexus,
onto your chest.
tagging your skin
to the vibration
of needle pin
pricks,
like
bombing the side of a subway car
and i’d crawl inside you
like a gothic tower
and you’d still be branded.
and i’d tattoo
amethyst
onto your rib cage
and the cursive letters
would dig into your
bone
and you’d rub dirty
fingertips
along the grooves.
 
ii.
 
you’d think of crystals
and how you’d clean them
with moonlight
after you kissed the base of my throat,
scraped my skin with calcite,
i’d suck on
tourmaline
for healing,
‘til it drained
all salt from my body,
and you’d use my skin
to stretch canvas’
and paint water color landscapes
onto my stomach
and suns on my chest
and moons into my labia
with silver paint,
it fades against
human flesh,
but when stretched
it turns parched,
and i’d settle for
a ply wood cross.
dress me in white linen
stained with pomegranate seeds
that you found in meadows
of poland
and i could sing you
into a sound from between
my phantom wings,
are you tired, roma?
from wandering
like
fingertips moving along
prayer beads,
shouting hail mary’s
into the starving sea,
tell me, roma,
can i make you sacred
like your prayer shawl
of silk weave?
 
iii.
 
in a wedding dress
you fell backwards
started speaking in tongues
that were cut into the sky
branded hieroglyphics
and you thought to birth children,
but instead
let me flip tarot cards onto the base of your throat,
then let me sculpt you into a consecrated icon,
and when you plucked iris petals with your mouth,
i saw your eyes,
my god,
i cried.
 
iv.
 
sometimes i ask you
if i can count the tree rings round
your eyelids,
count your age in nature,
tap into your turquoise politics
of the river
and then i told you,
in what words,
i do not know,
but the truth,
the soil is where you
would stretch your limbs,
roma,
when they come to hear you fight
with body movements
they will wrap their wrists in rose stems
and hope that you settle
into solid ground
enough so your legs become
ivy and your feet stretch roots
into the earth’s chest cavity
and you sit still
at the edge of the river’s sanctuary
and you whisper like a scorpion
an ancient prayer hymn 
and the moon takes your
song
and reveals herself to you. 
and one more,
queen of swords (the crystallizer)
holy wood
 
i burn paolo santo
because the shamans call it holy wood
and i call myself brother
like they do on mountain tops
where orange draped spirits
carve hiero into tree trunks,
do you want me to make you holy?
would you carry raw ocho gemstones
in your pockets
if you knew it meant
you could eat
without feeling guilty?
 
i tried purging on words that
sacrificed demons
and i played fiddle to some magnolias
tied ribbons round these taste buds
and i wonder
how the monks
in the angkor region of asia
felt about food,
i wonder if they kept diaries
counting calories
or skipped meals
as if the hollowness of their
stomachs wasn’t to feel closer
to a higher power
but to feel as
thin as the bones
that structure them
 
and i come from California
and i come from a place where
womyn think skinny is a compliment
and front lawns are littered with silicon
and you can’t find your front door step
without tripping over
the fault line of superficial beauty
and i say
that my parents raised me right
to think outside the boundaries
of the pressure peers put on me
but that’s not to say
that when mainstream media
and classmates told me
that a size 16 was ugly
i couldn’t help
but remove myself completely
let tally mark scratches
on my hip bones become distracting
so i could forget lines on
bathroom scales
and focus my time looking
for the one thing
to gag me
and spit up day old adderall
to reverse words like “you fucking fatty”.
and I still refer to food
as the biggest demon
to ever slay me
but those trials are slowly sinking beneath me
and i see progress on the daily
of womyn creating goddesses
out of their bodies
as it should be
 
i still call myself brother
like the shaved head spirits
peering over mountain tops
just observing
the delicate efforts we put
into self destructing
and i still pick at my food
with wooden spoons
that i carved out of
paolo santo
and i burn it
because the smoke rings mean clarity
and my gut isn’t
so much sunken
and it brings me back to
that place in california
where i’m from and i can
envision
a forest made of real bodies
and i can envision never again speaking
the words, “they hate me because
of what they see”
and i’ve learned that beauty
can be manifested
by power of believing
that skin deep
is so far from the reality
of me
 
so i’ll burn paolo santo,
so i’ll burn holy wood
for you
if you’d like to see me
and i’ll tell you
some stories
about trees
and fallen leaves
and we’ll eat
the letters and consonants
off the plate
and yeah we’ll
eat
and yeah we’ll drink
and yeah we’ll finally be merry. 

 

 

contributor bios

Ruby Darling is a Sacramento resident. She massages literary expression through Asian influences. She yodels poetry through European roots. She has no stance on stanza's, doesn't know what a soliloquy is, and has never heard of the Canterbury Tales. She's a cosmic sapling in a poetic Universe. A rare species of Euro-Asian American You.

[d]avid : [t]omaloff (b. 1972) | racine, WI, US | author, LIONTAMER’S BLUES (six eight press) | his work has also appeared in Ditch Poetry, Otoliths, Counterexample Poetics, BlazeVOX 2KX, Deuce Coupe, Straylight Literary Arts Magazine, Four and Twenty, Pismire Poetryand is forthcoming in Blue & Yellow Dog, Turntable & Blue Light, Whale Sound, and and/or | see:davidtomaloff.com

Donal Mahoney lived and worked most of his life in Chicago. He now lives in St. Louis, Missouri, which despite an epidemic of drive-by shootings is probably a safer place to reside. His poems have appeared in the U.S. and abroad in both print and online journals. He still hears voices in the night when he rises to hover but they no longer speak English. Sadly, he speaks not a word of Old Slavonic.

Janann Dawkins' work has appeared in publications such as decomPExistereMezzo CamminOuroboros Review & Two Review, among others. Leadfoot Press published her chapbook Micropleasure in 2008. A graduate of Grinnell College with a B.A. in American Studies & twice nominated for the Pushcart Prize, she resides in Ann Arbor, MI.

Jane Røken grew up on a diet of Russian folk tales, the Salvation Army, and Norwegian fiddle music. She believes in all sorts of angels, and rocks that chant after thunderstorms. She lives in a magpie's nest on the boggy interface between hedgerows and barley fields and likes to think of herself as an internationalist.

Jason Brightwell lives in Baltimore, Md. He is regularly haunted by one thing or another, and is always searching for the right thing to say. His work has appeared in journals including The Blind Man’s Rainbow and will be included in an upcoming issue of The Battered Suitcase. You can find him blathering on and on at www.blatheranddrone.blogspot.com

Jim Bronyaur lives in Pennsylvania and has been published in many anthologies including End of Days (Volume 4), Were-What?, and Creepy Things. Other stories have been published with Flashes in the Dark, House of Horrors, Pow! Fast Flash Fiction, Twisted Tongue, and many others. He doesn’t sleep, drinks lots of coffee, and listens to Guns ’n Roses. Jim’s web site is www.JimBronyaur.com.  Better yet, follow Jim on Twitter - @jimbronyaur.

In 1983, Lawrence Gladeview was born to two proud and semi-doting parents.  After two middle schools and losing his faith in catholic high school, he graduated from James Madison University, majoring in English and having spent only one night in jail.  He is a Boulder, Colorado poet cohabiting with his fiance Rebecca Barkley.  Lawrence is one of two editors for MediaVirus Magazine, and more than sixty of his poems have been featured, or are forthcoming in various print and online publications.  You can read more of his poetry on his website, Righteous Rightings.

Leila A. Fortier is a writer, artist, poet, and photographer currently residing on the remote island of Okinawa Japan. Her rich interplay of mediums from macro photography, to oils, acrylics, water colors, pastels, and digital techniques, are then layered and arranged to invoke the viewer into raw, emotional experience. Her restlessness is expressed in her passion to make manifest the formless in what she calls Painting Emotion. Her work has been featured in tandem with her poetic works, published in numerous literary magazines, journals, and reviews both in print and online. She has been selected to appear as the cover or featured artist of many virtual galleries and publications including Diverse Voices Quarterly, Cave Moon Press, and Pink Panther Magazine to name a few. A complete listing of all her works can be found at: www.leilafortier.com

Michael Frissore has a chapbook called Poetry is Dead (Coatlism, 2009) and a blog called michaelfrissore.blogspot.com. His writing has been nominated for the Pushcart Prize and Dzanc Books' "Best of the Web" series, and included in humor anthologies alongside the likes of Sarah Silverman and Patton Oswalt. He grew up in Massachusetts and lives in Oro Valley, Arizona with his wife and son.

Mike Meraz is a poet from Los Angeles who currently lives in New Orleans. He is the author of two books of poetry, Black-Listed Poems and All Beautiful Things Travel Alone. Both are available at Lulu.com and Amazon.com. He is also the editor of Black-Listed Magazine.

Nic Alea is sometimes socially awkward/sometimes poet/sometimes queer person/sometimes practicer of magic/sometimes lover/sometimes san francisco dweller/sometimes sagittarius/sometimes artist/but mostly all of the time. 

P.A.Levy, having fled his native East End, now hides in the heart of Suffolk countryside learning the lost arts of hedge mumbling and clod watching.  He has been published in many magazines, and is an original member of the Clueless Collective to be found at: www.cluelesscollective.co.uk.

Richard Peake, a native Virginian, became a Texas resident after retiring from the University of Virginia’s College at Wise. He published early poems in Impetus alongside John Ciardi and in The Georgia Review and many small journals. Collections of his poetry appeared in Wings Across… and Poems for Terence published by Vision Press, which also included poems of his in A Gathering at the Forks. He published Birds and Other Beasts in 2007. During 2008 and 2009 he won awards from Gulf Coast Poets and The Poetry Society of Texas and published in Sol Magazine and Shine Journal (one nominated for the Pushcart Prize). In 2010 he has published in AvocetAsinine Poetry, and elsewhere.